"Life
would be useless without a beautiful cause to defend!"
Article Signed Joan Mac Trevor, Movies Tele Review , 1990
AUTOMATICALLY
TRANSLATED BY GOOGLE (that's why some of it doens't make sense
and it's not grammatical)
Nancy
Grahn is smelled very near to Julia Wainwright, its character
in the serial Santa Barbara . With Lane Davies (Mason), it formed
during four years a couple harmonious and ideal, shaken by crises
and ruptures certainly, but perfectly welded. A so perceptible
unit with the screen which one hastened to associate lovingly
Lane Davies and Nancy Grahn in the life. But one and the other
contradicts this rumour vigorously. A correction which however
does not exclude a deep friendship. Since, however, Lane Davies,
tired of his character, returned his apron. It was last June.
Mason did not die about it for all that. Since the beginning of
the year, the American televiewers can find it under the features
Terry Lester, better known of Europeans for the character of Abbott
Jack in Fires of the Love . And what made Nancy Grahn meanwhile?
It did not take the veil of the widows, but benefitted from this
undulation to consolidate its character and to put order in its
life.
Since
it was offered, with the pledges of Santa Barbara , a small house
in San Fernando Valley, that it occupies with her Barney dog, Nancy
Grahn is happiest of the women. In did the tread, it buy a convertible
BMW? to make its emplettes. "During years", explains Nancy
Grahn with enthusiasm, "I convinced myself that only a stable
relation with a man would decide to me to buy a house. I was disabled
with the idea of having to occupy me d?une all alone house and to
pay the monthly drafts of them. Since, I radically changed opinion.
I appreciate what Santa Barbara gave me. I smell myself even better
in my work, and the purchase of this house completely opened out
me in my life of woman. I believe that I will still remain unmarried
a long time."
During
four years, Nancy Grahn shared the life of Sam Behrens, one of the
protagonists of Central the Hôpital serial . But it takes
care well, today, not to recommend this kind of relation. "the
majority of my relations in love, it was with actors. All the failures.
The actors are generally full with charm, tempting, but unable to
remain in place. They are always persuaded that there is to better
discover behind the corner and would feel frustrated to be private
for it." What does not prevent Nancy Grahn from regularly leaving
with a producer television... "a producer, but not an actor",
corrects it without resentment. "J?ai have relationship with
the" civil ones ", as one calls people who do not belong
to the show business, but they were in general unable to live with
a celebrity of the show business. I felt them frightened by the
trade that I made. An uncomfortable impression!"
In
nine months, Nancy Grahn had time to be done with the absence of
Lane Davies, but she always regretted the departure of the actor
who had become his friend and his confidant. Of an optimistic naturalness,
Nancy wants to however see only the good side of the things and
accomodated with enthusiasm new Mason. "Lane was more mysterious
Mason, darker, more tragic. Terry is funnier, less secret, more
accessible. They do not resemble each other. Moreover, Mason de
Terry is more loving. A heat which my character missed. I like much
to play with Terry, almost as much as with Lane, until it wearies
of the role. After, very worsened. It made a wise decision while
leaving. But the European televiewer still has a few beautiful years
in front of him, because Lane is an actor except par and it knew
to make of Mason a character pivot in Santa Barbara ."
When
I say to him how much the European public is disturbed by the frequent
changes of actors within the American serials, Nancy philosophically
sweeps the objection of large an epic of the hand. "Any change
is disconcerting and takes one period of adaptation. What does one
make in the life if not to adapt permanently to new situations?
Once the camped character and the new adopted actor, this small
frustration, as myself I knew it with Lane, is forgotten.
Santa
Barbara however offers a paradox which remains for Nancy Grahn,
in spite of its great adaptability, a perpetual matter of astonishment:
how to explain, indeed, that the serial gains many rewards, while
occupying a relatively modest place in the statements of audience
in the United States? "I see only two explanations", advances
it hesitant. "Is the televiewers remain faithful to the old
serials like Central Hôpital and Hatred and Passed and, by
fidelity or habituation, do not wish to connect on a more recent
serial like Santa Barbara . It is a form of conservatism. That is
to say the surveys do not take account of whole sections of populations.
I am sure, for example, that the many schoolboys who look at us
are not included in the surveys." Nancy Grahn assumes the responsibility
for its explanations. But the attempt to rehabilitate Santa Barbara
with the eyes of the Americans is méritoire. She in any case
translates the enthusiasm of Nancy for her work and the interest
which she carries to her character.
When
it does not work, Nancy Grahn can taste calms it its country house.
The place which it appreciates over all, it is its room to be slept
and mollesse of its bed surmounted by four amounts of wood. It can
spend there the hours, a book of philosophy (its passion!) with
the hand. The return to oneself is however not the fort of Nancy
Grahn. Because, as soon as arises a good cause to defend, it is
on the barricades. For the abortion, against the alcoholism and
drug, for the environmental protection, more consideration with
regard to the handicapped people engine. "My life would be
useless without a cause to defend or a new combat to be delivered.
The humans right are very with the honor today. Even in Russia and
East Germany. It is only justice after one decade of blind materialism
and a half-century of untrue ideologies. It is not a chance if the
man who makes vibrate crowd today is not Ronald Reagan but Nelson
Mandela."
In
this perfectly balanced life, Nancy Grahn preserved a major good:
its independence. With the reverse of many stars of will soap-operas,
grayed by their sudden fortune and who show more cicadas that ants,
Nancy-the-wise did not launch out in expenditure outrancières.
Its house is modest and its car is its only luxury. Thus can it
reserve the right to say constantly "not" to the serial,
when it takes one day to him the desire to discover other professional
horizons .